All Critics (120) | Top Critics (36) | Fresh (115) | Rotten (5)
Thematic potency and cinematic virtuosity -- the production was designed by Dante Ferretti and photographed by Robert Richardson -- can't conceal a deadly inertness at the film's core.
For all the wizardry on display, Hugo often feels like a film about magic instead of a magical film...
I have seen the future of 3-D moviemaking, and it belongs to Martin Scorsese, unlikely as that may sound.
It's a fairy tale for mature viewers, but the airy exterior hides emotional depth.
One of the most magical viewing experiences of the decade so far.
Aside from being one of Scorsese's most personal films, it's also one of the least cynical films of this or any other year.
This love letter to the movies is something to cherish.
This is a great director's greatest love story.
Scorsese uses 3D to submerge viewers into a glittering storybook world, but all of Hugo's beauty can't make up for the sidetracking of the tale of the orphaned boy living in the train station in favor of a film preservation PSA.
If however, you are not a film scholar or a fan of the period, Scorsese will skillfully turn you into one without you even knowing it.
Scorcese does not mess around. This is a magnificent film.
The movie itself runs a bit long at 127 minutes, but "Hugo" is worth every minute for the visual feast it provides.
Hugo is a love affair -- palpable and personal -- between director Marty Scorsese and cinema. It sputters, floats, and soars.
An infectious ode to the early days of cinema. Scorsese's use of 3D is inspired, although it might be more interesting for parents than their children.
A powerful reminder of the magic of cinema and Martin Scorsese's astounding versatility...
"Hugo" is a movie that children will enjoy, adults will admire and film buffs will cheer. It is a movie that will surprise and delight you with its wonder and awe.
Exquisite - Definitely Oscar Worthy
... a phantasmagorical fusion of 'Oliver Twist' and 'Edward Scissorhands' ... but in the end it feels pedantic and, like M?li?s' robot, proves a wondrous contraption motorized by a spring-driven heart.
Hugo is a work steeped in cinema lore, drunk on the fumes of a bygone era yet canny enough to channel its nostalgia through modern innovations.
Please, please, please don't think you need to be a child to see this incredible movie. Indeed, "Hugo," a smart, classy film that deserves to be watched on the big screen in 3-D, will find a special place with grownups who love movie art and history.
A deeply felt, hugely personal, glorious and heart-swelling ode to the magic of cinema and stories: the way they bring us together, allow us to understand each other, allow us to see our dreams come true.
Probably the first kids film in history to double as a propaganda film for the cause of classic film preservation. And I mean that in the nicest possible way.
It has its sluggish moments, but Hugo is mostly a delightful tribute to the magic of early cinema, and boasts excellent use of 3-D.
Martin Scorsese's affecting, gorgeously rendered 3-D debut is one of the best films of this year and any other year.
More Critic Reviews
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.